There are eight Sound Variations per patch, showcasing the diversity available from the raw samples, and you can even morph between them with a slider. This gives users two main timbral elements to each sound, with simple controls for blending and modulating the balance of these. Another new feature in Kontakt 5 is the addition of a time-stretching algorithm Time Machine Pro. This is best illustrated with a typical scenario: processing the various elements that make up a drum kit. You can drag libraries to change their order, but if you have more than a handful of collections, as many users do especially Komplete 11 Ultimate owners , it can be tedious and time-consuming to organize your content. Upgrading to a Komplete 12 bundle makes more sense in this case because you will get Kontakt 6 along with lots of other sounds and instruments. Woodwinds and brass are presented in solo and ensemble configurations, while strings are presented in sections only—violin 1 and 2, viola, cello and bass.
Sonically, it's characterful and inspiring, with the pleasing, clear-yet-warm sound associated with analogue. The K4 library can still be accessed via K5's file browser, even though it no longer shows up under K5's Libraries tab. Each can have its own modulation of speed, depth and filter. The controls for Solid Bus Comp are shown. Four new effects have joined the Kontakt fold. The price was very reasonable for everything you get in this package. Now the entire Bus's level and pan can be controlled easily from its own controls.
The Transient Master is not a male instructor on a temporary supply-teaching job, but a tool for sculpting the dynamic shape of percussive sounds. Komplete Audio 6 lets you experience every facet of your sound, whether you're playing virtual instruments or recording audio. But you will definitely use this package for a long time. There are two principal sculpting controls, Attack and Sustain. Native Instruments Komplete 6 is a bundle of high quality software wrapped into one low price.
Next the kick flat and then with transient master effect. People whose use of Kontakt goes no further than loading and playing libraries exactly as they come out-of-the-box be it in the free Kontakt Player or the full version will probably view the new features as inconsequential and not be tempted to splash out on the full upgrade. Considering the price of the library, it's a nice gift from Native Instruments. Naturally, I tested Time Machine Pro with a variety of material, and found the results to be variable but generally impressive. If it weren't for the sound. New Sounds Abound The most noticeable addition is the first 3 instrument libraries from the Kontakt Play Series. For the price of admission you get access to a world of best-in-class instruments and effects that could keep your creative juices pumping for years.
Overall, Kontakt 5 has some pleasing additions, with the emphasis on features over content. Sustained piano note - here we're trying the various Time Machine settings. On the Noicesetter page are several filters, pitch modulation and and effect send. For the past several years, prolific soundware developer 8Dio has been pumping out libraries that range from conventional orchestral titles to more sonically adventurous collections that push the boundaries of cinematic sound. Out of all the software included in Komplete 6, I have to say that the synth and Guitar Rig are my favorites, although all of the software is definitely useful.
Over the years, Kontakt became a topper on the software samplers market. The newly available Studio Drummer library, which you can purchase as an add-on pack, makes good use of this. From a third-party developer called zPlane whose skills have been proved tried and true. This algorithm needs more resources than the other features but its quality is higher and the providing a real-time reverse mode. Therefore all the presets have to be copied from the source folder into the Kontakt user folder. Komplete 12 also includes Massive X — an entirely new instrument that honors and expands on the legacy of the legendary Massive synthesizer.
The room and hall reverbs can also be modulated in real time. You can use different insert effects in some channels, while you still have the possibility to send all of them to a stereo compressor using Aux sends. After a considerable wait and much speculation, version 6 has finally acceded to the Kontakt throne. I use this as a vst for a few different programs and there are no problems at all. I love this audio interface. You've only read 20% of this article, so to continue reading.
Main Features The installation of Modularium is quite easy and simple with a little but very important exception. How long have you been using it? The overall sound quality is quite good. The 8 sounds are sharing an volume envelope and can be sent to effects like saturation, bitcrusher, reverb and delay. But overall, with three of these processors sonically equal to dedicated plug-ins, you may find yourself doing more inside Kontakt, and we expect library builders will exploit them too. Without diving into programming your own sounds, the sonic possibilities are seemingly infinite.
The randomize function adds some nice randomness to the instrument and lead to new creations and unconventional sounds. All of the titles were produced in partnership with heavyweight third-party developers known for their top-flight orchestral titles, and this expertise is evident in the quality of the samples and programmability of the Essentials instruments. And for those of us who prefer rolling our own, Komplete 11 Ultimate offers a wealth of incomparable synthesis horsepower. To adjust the overall level of all the snare Groups, you'd previously have had to insert a Gainer as the last insert effect of every Group, and adjust them all in unison. She likes the Native Instrument keyboards and now uses the S88 weighted one, but she has still been using the odd thing from the Fantom and Mopho. Nevertheless, the step up in quality from the older Time Machine modes is patently obvious. This chirpy assemblage of analogue synths, antique electronic pianos and string machines complements the existing Synth and Vintage categories, with the inclusion of some natty parameter morphing, chord sequencing and arpeggiator trickery into the bargain.